Soon after losing her own daughter in a tragic accident, Hon returns to her childhood home in the Korean countryside after many years away. Her father, a cattle farmer, is elderly and requires her care. He is withdrawn, kind but awkward around his own daughter. As time passes however, Hon realises that her father is far more complex than she ever realised. The discovery of a chest of letters and conversations with his family and friends help Hon piece together the tumultuous story of his life. She learns of her father's experiences during the Korean War and the violence of the 19th April Revolution; of a love affair and involvement in a religious sect; of his sacrifice and heroism and of the phantoms that haunt him. As she unravels secret after secret, Hon grows closer to her father, realising that his lifelong kindness belies a past wrought in both private and national trauma. More than just the portrait of one man, I Went to See My Father opens a window onto humankind, family, loss and war. It asks us to look at the ones we love, uncover the secrets they keep, and finally see who they really are. Flawlessly rendered by award-winning translator Anton Hur, Kyung-Sook Shin has crafted a novel both affectionate and epic, joyous and lasting.

South Korea, 1970. San is a lonely child, ostracised from her community. She soon finds a friend in a girl called Namae, until one afternoon changes everything. Following a moment of intimacy in a minari field, Namae violently rejects San, setting her on a troubling path. We next meet San, aged twenty-two, when she happens upon a job at a flower shop in Seoul's bustling city centre. Over the course of one hazy, volatile summer, San is introduced to a curious cast of characters - the mute shop owner, a brash co-worker, kind farmers and aggressive customers - and fuelled by a quiet desperation to jump-start her life, she plunges headfirst into obsession with a passing magazine photographer. Throughout it all, San's moment with Namae continues to linger in the back of her mind. A story of thwarted desire, misogyny and erasure, Violets reveals the high stakes involved in one woman's desperate search for both autonomy and attachment in an unforgiving society.

Soon after losing her own daughter in a tragic accident, Hon returns to her childhood home in the Korean countryside after many years away. Her father, a cattle farmer, is elderly and requires her care. He is withdrawn, kind but awkward around his own daughter. As time passes however, Hon realises that her father is far more complex than she ever realised. The discovery of a chest of letters and conversations with his family and friends help Hon piece together the tumultuous story of his life. She learns of her father's experiences during the Korean War and the violence of the 19th April Revolution; of a love affair and involvement in a religious sect; of his sacrifice and heroism and of the phantoms that haunt him. As she unravels secret after secret, Hon grows closer to her father, realising that his lifelong kindness belies a past wrought in both private and national trauma. More than just the portrait of one man, I Went to See My Father opens a window onto humankind, family, loss and war. It asks us to look at the ones we love, uncover the secrets they keep, and finally see who they really are. Flawlessly rendered by award-winning translator Anton Hur, Kyung-Sook Shin has crafted a novel both affectionate and epic, joyous and lasting.

Soon after losing her own daughter in a tragic accident, Hon returns to her childhood home in the Korean countryside after many years away. Her father, a cattle farmer, is elderly and requires her care. He is withdrawn, kind but awkward around his own daughter. As time passes however, Hon realises that her father is far more complex than she ever realised. The discovery of a chest of letters and conversations with his family and friends help Hon piece together the tumultuous story of his life. She learns of her father's experiences during the Korean War and the violence of the 19th April Revolution; of a love affair and involvement in a religious sect; of his sacrifice and heroism and of the phantoms that haunt him. As she unravels secret after secret, Hon grows closer to her father, realising that his lifelong kindness belies a past wrought in both private and national trauma. More than just the portrait of one man, I Went to See My Father opens a window onto humankind, family, loss and war. It asks us to look at the ones we love, uncover the secrets they keep, and finally see who they really are. Flawlessly rendered by award-winning translator Anton Hur, Kyung-Sook Shin has crafted a novel both affectionate and epic, joyous and lasting.

WINNER OF THE MAN ASIAN LITERARY PRIZE 'An authentic, moving story that brings to vivid life the deep family connections that lie at the core of Korean culture' Gary Shteyngart 'Kyung-Sook Shin's tale... has hit a nerve' Guardian 'A raw tribute to the mysteries of motherhood' New York Times 'The most moving and accomplished, and often startling, novel' Wall Street Journal When sixty-nine-year-old So-nyo is separated from her husband among the crowds of the Seoul subway station, her family begins a desperate search to find her. Yet as long-held secrets and private sorrows begin to reveal themselves, they are forced to wonder: how well did they actually know the woman they called Mother? Told through the piercing voices and urgent perspectives of a daughter, son, husband, and mother, PLEASE LOOK AFTER MOTHER is at once an authentic picture of contemporary life in Korea and a universal story of family love. With an introduction by Banana Yoshimoto A W&N Essential

Translated by Anton Hur 'Violets lavishes attention on the kind of person who often slips through the cracks, unseen or ignored. There is a beauty and a bravery in speaking for small lives' Rowan Hisayo Buchanan, author of Harmless Like You South Korea, 1970. San is a lonely child, ostracised from her community. She soon finds a friend in a girl called Namae, until one afternoon changes everything. Following a moment of intimacy in a minari field, Namae violently rejects San, setting her on a troubling path. We next meet San, aged twenty-two, when she happens upon a job at a flower shop in Seoul's bustling city centre. Over the course of one hazy, volatile summer, San is introduced to a curious cast of characters - the mute shop owner, a brash co-worker, kind farmers and aggressive customers - and, fuelled by a quiet desperation to jump-start her life, she plunges headfirst into obsession with a passing magazine photographer. Throughout it all, San's moment with Namae continues to linger in the back of her mind. A story of thwarted desire, misogyny and erasure, Violets reveals the high stakes involved in one woman's desperate search for both autonomy and attachment in an unforgiving society.

How friendship, European literature, and a charismatic professor defy war, oppression, and the absurd
Set in 1980s South Korea amid the tremors of political revolution, "I'll Be Right There" follows Jung Yoon, a highly literate, twenty-something woman, as she recounts her tragic personal history as well as those of her three intimate college friends. When Yoon receives a distressing phone call from her ex-boyfriend after eight years of separation, memories of a tumultuous youth begin to resurface, forcing her to re-live the most intense period of her life. With profound intellectual and emotional insight, she revisits the death of her beloved mother, the strong bond with her now-dying former college professor, the excitement of her first love, and the friendships forged out of a shared sense of isolation and grief.
Yoon's formative experiences, which highlight both the fragility and force of personal connection in an era of absolute uncertainty, become immediately palpable. Shin makes the foreign and esoteric utterly familiar: her use of European literature as an interpreter of emotion and experience bridges any gaps between East and West. Love, friendship, and solitude are the same everywhere, as this book makes poignantly clear.

Translated by Anton Hur 'Violets lavishes attention on the kind of person who often slips through the cracks, unseen or ignored. There is a beauty and a bravery in speaking for small lives' Rowan Hisayo Buchanan, author of Harmless Like You South Korea, 1970. San is a lonely child, ostracised from her community. She soon finds a friend in a girl called Namae, until one afternoon changes everything. Following a moment of intimacy in a minari field, Namae violently rejects San, setting her on a troubling path. We next meet San, aged twenty-two, when she happens upon a job at a flower shop in Seoul's bustling city centre. Over the course of one hazy, volatile summer, San is introduced to a curious cast of characters - the mute shop owner, a brash co-worker, kind farmers and aggressive customers - and, fuelled by a quiet desperation to jump-start her life, she plunges headfirst into obsession with a passing magazine photographer. Throughout it all, San's moment with Namae continues to linger in the back of her mind. A story of thwarted desire, misogyny and erasure, Violets reveals the high stakes involved in one woman's desperate search for both autonomy and attachment in an unforgiving society.

The history of walls - as a way to keep people in or out - is also the history of people managing to get around, over and under them. From the Berlin Wall and the Mexico-US border, to the barbed wire fences of Bangladesh's refugee camps, the short stories in this anthology explore the barriers that have sought to divide communities and nations, and their traumatic effects on people's lives and histories. At a time when more walls are being built than are being brought down, All Walls Collapse brings together writing from across national, ethnic and linguistic borders, challenging the political impulse to separate and segregate, and celebrating the role of literature in traversing division.

MAN ASIAN LITERARY PRIZE WINNER

When sixty-nine-year-old So-nyo is separated from her husband among the crowds of the Seoul subway station, her family begins a desperate search to find her. Yet as long-held secrets and private sorrows begin to reveal themselves, they are forced to wonder: how well did they actually know the woman they called Mom?
Told through the piercing voices and urgent perspectives of a daughter, son, husband, and mother, "Please Look After Mom" is at once an authentic picture of contemporary life in Korea and a universal story of family love.

Homesick and alone, a teen-aged girl has just arrived in Seoul to work in a factory. Her family, still in the countryside, is too impoverished to keep sending her to school, so she works long, sun-less days on a stereo-assembly line, struggling through night school every evening in order to achieve her dream of becoming a writer. Korea's brightest literary star sets this complex and nuanced coming-of-age story against the backdrop of Korea's industrial sweatshops of the 1970's and takes on the extreme exploitation, oppression, and urbanization that helped catapult Korea's economy out of the ashes of war. But it was girls like Shin's heroine who formed the bottom of Seoul's rapidly changing social hierarchy, forgotten and ignored. Richly autobiographical, The Girl Who Wrote Loneliness lays bare the conflict and confusion Shin faces as she confronts her past and the sweeping social change of the past half-century. Cited in Korea as one of the most important literary novels of the decade, this novel cements Shin's legacy as one of the most insightful and exciting writers of her generation.

Based on a remarkable true story, the New York Times bestselling author of Please Look After Mom brilliantly images the life of Yi Jin, an orphan who would fall under the affections of the Empress and become a jewel in the late Joseon Court. When a novice French diplomat arrives for an audience with the Emperor, he is enraptured by the Joseon Dynasty's magnificent culture, then at its zenith. But all fades away when he sees Yi Jin perform the delicate traditional Dance of the Spring Oriole. Though well aware that women of the court belong to the palace, the young diplomat confesses his love to the Emperor, and gains permission for Yi Jin to accompany him back to France. A world away in Belle Epoque Paris, Yi Jin lives a free, independent life, away from the gilded cage of the court, and begins translating and publishing Joseon literature into French with another Korean student. But even in this new world, great sorrow awaits her. Yi Jin's grieving and suffering is only amplified by homesickness and a longing for her oldest friend. But her homecoming was not a happy one. Betrayal, jealousy, and intrigue abound, culminating with the tragic assassination of the last Joseon empress-and the poisoned pages of a book. Rich with historic detail and filled with luminous characters, Korea's most beloved novelist brings a lost era to life in a story that will resonate long after the final page.